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March 2005Print this Page

MIZZOU NEWS

Chris Cooper
Al Devlin, a professor of English at Mizzou, has spent the last 10 years of his life on research for his books containing letters by playwright Tennessee Williams, also a Mizzou alumnus. Justin Kelley photo

Tennessee Williams' Historic Letters Unveiled

By Jeff Neu

Tennessee Williams, considered by many to be one of the greatest playwrights in U.S. history, was a man who battled with his creative genius and depressive tendencies throughout his life. The author of such plays as A Streetcar Named Desire, Cat on a Hot Tin Roof and The Glass Menagerie, Williams has had his professional and personal life examined and scrutinized for years. However, perhaps no one has been able to shed more light on this legendary figure than University of Missouri-Columbia English Professor Albert Devlin.

Devlin's new book, The Selected Letters of Tennessee Williams: Volume II, 1945-1957, published by New Directions Publishing, features 350 of the 800 collected letters Williams wrote during that time period. It was during these years that Williams was at the height of his career, working with the world's top actors, directors and set designers. Devlin says Williams was a prolific correspondent, and his letters contain intimate details about his life.

“Hollywood and Broadway love his plays because they're made for a great deal of interpretation, which makes them stay fresh and vibrant,” Devlin said. “Williams gives directors the professional challenge they dream of tackling. He's like an exotic plant in the American culture.”

Chris Cooper
Devlin's book is scheduled for a staged reading March 21 at the Manhattan Theatre Club in New York. Above, Richard Thomas, who played John-Boy in the television series The Waltons, will portray Tennessee Williams. Charles Erickson photo

In 1995, the Williams' estate agreed to give Devlin and Nancy Tischler, professor emeritus at Pennsylvania State University, exclusive rights to the letters. The researchers reviewed thousands of Williams' letters written to friends, family, editors, agents and critics during a span of 60 years. The letters begin in the 1920s and span Williams' entire career, from his time as a young MU graduate writing home to his parents to just before his death at age 71.

“To Williams, the alternative to writing was death,” Devlin said. “The process of writing and promoting each play was extremely debilitating physically for him and led to a great deal of depression. His success became his catastrophe.”

Devlin notes that Williams' time spent at MU was “a very rewarding time for him.” The campus became a sanctuary for him and he carried the fondness he had for the University with him throughout his years, Devlin said.

A staged version of Devlin's publication will be presented as part of the “Writers in Performance” event at the NY Manhattan Theatre Club on March 21. A third volume of Williams' letters is forthcoming from New Directions.


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